'%20fill='%2325272a'%20stroke='%2325272a'%20stroke-width='0.4'/%3e%3c/clipPath%3e%3c/defs%3e%3cg%20id='Group_626'%20data-name='Group%20626'%20transform='translate(0.279%200.343)'%3e%3cg%20id='Ellipse_3'%20data-name='Ellipse%203'%20transform='translate(-0.279%20-0.343)'%20fill='none'%20stroke='%23f2f2f2'%20stroke-width='1'%3e%3ccircle%20cx='29.5'%20cy='29.5'%20r='29.5'%20stroke='none'/%3e%3ccircle%20cx='29.5'%20cy='29.5'%20r='29'%20fill='none'/%3e%3c/g%3e%3cg%20id='Group_440'%20data-name='Group%20440'%20transform='translate(14.571%2015.937)'%3e%3cg%20id='Group_439'%20data-name='Group%20439'%20transform='translate(0%200)'%20clip-path='url(%23clip-path)'%3e%3cpath%20id='Path_161'%20data-name='Path%20161'%20d='M12.072,22.017,2.137,12.082l0,0-.087-.087a7.027,7.027,0,0,1,9.938-9.938l.083.083.083-.083A7.027,7.027,0,0,1,22.1,11.992Zm-8.8-9.941,8.8,8.8,9.456-9.456a6.223,6.223,0,1,0-8.8-8.8l-.652.652-.652-.652a6.223,6.223,0,0,0-8.8,8.8l.649.649Z'%20transform='translate(2.765%202.765)'%20fill='%2325272a'%20stroke='%2325272a'%20stroke-width='0.4'/%3e%3c/g%3e%3c/g%3e%3c/g%3e%3c/svg%3e)
'%3e%3cg%20id='Group_627'%20data-name='Group%20627'%20transform='translate(652.444%20-620)'%3e%3crect%20id='Rectangle_402'%20data-name='Rectangle%20402'%20width='76'%20height='61'%20rx='30.5'%20transform='translate(997%20766)'%20fill='%23feffff'%20stroke='%23f2f2f2'%20stroke-width='1'/%3e%3cpath%20id='Path_208'%20data-name='Path%20208'%20d='M1506.38,173.694a.639.639,0,0,1-.45-.184.641.641,0,0,1,0-.891.639.639,0,0,1,.45-.184h3.4a.648.648,0,0,1,.39.13.593.593,0,0,1,.22.337l3.05,11.419a.8.8,0,0,0,.28.419.8.8,0,0,0,.48.162h12.5a.64.64,0,0,1,.45.185.64.64,0,0,1,0,.89.64.64,0,0,1-.45.185h-12.5a2.074,2.074,0,0,1-1.25-.423,2.03,2.03,0,0,1-.72-1.093l-2.93-10.952Zm6.36,1.238a.438.438,0,0,0-.18.042.5.5,0,0,0-.14.117.506.506,0,0,0-.08.167.382.382,0,0,0,.01.184l2.12,7.922a.389.389,0,0,0,.14.217.413.413,0,0,0,.25.083h11.01a.413.413,0,0,0,.25-.083.469.469,0,0,0,.15-.217l2.11-7.922a.382.382,0,0,0,.01-.184.366.366,0,0,0-.08-.167.5.5,0,0,0-.14-.117.438.438,0,0,0-.18-.042Zm12.96,13.856a1.639,1.639,0,0,0-2.8-1.164,1.657,1.657,0,0,0-.36,1.794,1.7,1.7,0,0,0,.61.739,1.632,1.632,0,0,0,1.54.152,1.6,1.6,0,0,0,.53-.356,1.513,1.513,0,0,0,.36-.535A1.687,1.687,0,0,0,1525.7,188.788Zm-8.09,0a1.649,1.649,0,0,0-1.97-1.614,1.645,1.645,0,0,0-1.29,1.293,1.714,1.714,0,0,0,.09.951,1.7,1.7,0,0,0,.61.739,1.632,1.632,0,0,0,1.54.152,1.748,1.748,0,0,0,.54-.356,1.631,1.631,0,0,0,.35-.535A1.521,1.521,0,0,0,1517.61,188.788Z'%20transform='translate(-487%20620)'%20fill='%2324272a'/%3e%3c/g%3e%3c/g%3e%3c/svg%3e)
Compare Paul McCartney After the Beatles by Adrian Allan, Hardcover | Indigo Chapters
Adrian Allan
$59.50
This is a musical analysis of Paul McCartney from 1970 to today. It is aimed at students of popular music theory; educators; musicians; and aspiring songwriters. It will also appeal to the general Beatles and McCartney fan who wishes to understand music on a deeper level - A beginner's guide to music theory and glossary are provided. Eighty of McCartney's post-Beatles songs are discussed in the format of short, but accessible essays. For each song, full details are provided concerning date of release; place of recording; instrumentation; and key signature. The description for each song details the musical techniques that McCartney uses, such as chord patterns; structure; use of instruments; vocal harmony; tonality; and key changes. In addition, every chapter details his life and work in each decade. A conclusion identifies the main characteristics of McCartney's style. The appendix details every recording location used. An invaluable guide to the music of the world's most successful songwriter. | Paul McCartney After the Beatles by Adrian Allan, Hardcover | Indigo Chapters
